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Downbeat reviews Mark Weinstein’s “El Cumbanchero”

Available at www.jazzheads.com

    • #Mark Weinstein
    • #Jazzheads
    • #Aruan Ortiz
    • #Latin Jazz
  • 1 week ago
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Jazzheads Artist, Chris Washburne, will bring Latin Jazz to Zimbabwe next month

http://allafrica.com/stories/201203280260.html

Zimbabwe: Latin Jazz Comes to Hifa

28 MARCH 2012

With a month to go before the Harare International Festival of the Arts kicks off, the stage has been set for this annual arts fete that is expected to rejuvenate the entertainment sector for a good six days.

A number of reputable artistes from different countries and regions are set to showcase their acts, and one of them is Chris Washburne.

Washburne is one of those rare musicians whose musical prowess cuts cross different styles and cultural borders. Early in his career, Washburne refused to be pigeon-holed into only jazz or classical, and has instead continually pursued a diverse path.

He is currently freelancing as a studio musician and performing trombone, bass trombone, tuba, didjeridu and percussion with various classical, jazz, rock and Latin groups in New York City.

He also tours extensively with various groups and has performed throughout North America, Europe, Asia, Africa, South America, Central America and the Caribbean.

In 1999 he completed his PhD in Ethnomusicology at Columbia University. He is currently the Associate Professor of Music and founding director of the Louis Armstrong Jazz Performance Programme at Columbia University in New York.

He has published numerous articles on jazz, Latin jazz and salsa. He is author of the book “Sounding Salsa: Performing Latin Music in New York” (2008) and editor of the book “Bad Music” (2004).

Washburne will be performing with his band SYOTOS (See You On The Other Side), who play Latin jazz with a global reach, steeped in a New York vibe, Afro-Cuban, funk, hip hop, gospel and house, it’s all in the mix.

This is sophisticated music that grooves so hard that you can’t help but get up and dance and scream.

SYOTOS, founded 20 years ago, features some of the best players on the New York scene. The band is one of the most popular Latin jazz groups in New York so make sure you don’t miss out on their performance at Hifa 2012!

    • #Chris Washburne
    • #HIFA
    • #Zimbabwe
    • #Latin Jazz
    • #SYOTOS
  • 2 months ago
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  • Latin Jazz Corner Podcast Episode #3
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Latin Jazz Corner Podcast Episode #3

The final portion of this podcast features an interview with Jazzheads Flautist, Mark Weinstein, where they discuss his most recent album El Cumbanchero.

Latin Jazz Corner describes Mark Weinstein and his latest album:

This album is another fantastic chapter in Weinstein’s creative exploration of Cuban music, where he mixes jazz with danzon in a charanga setting. Cuban pianist Aruán Ortiz provided the arrangements, which simply overflow with beauty - these magnificent works in combination with Weinstein’s flute performance make El Cumbanchero a masterpiece. 

Weinstein is an important voice in Latin Jazz - from his time with Eddie Palmieri’s La Perfecta to the essential album Cuban Roots and his modern recordings, Weinstein is someone that you need to hear. If you want to get the full scoop on Weinstein’s career, check out the extensive interview with him that I published on LJC - you’ll want to read Part 1, Part 2, Part 3, and Part 4. 

El Cumbanchero is really a fantastic album that brings together all of Weinstein’s experience into an important statement. You don’t want to miss this one - here’s a link to pick up Mark Weinstein’s El Cumbanchero.

El Cumbanchero

    • #Aruan Ortiz
    • #Chip Boaz
    • #El Cumbanchero
    • #Jazz
    • #Jazz Podcast
    • #Jazzheads
    • #Latin Jazz
    • #Latin Jazz Corner
    • #Mark Weinstein
    • #Eddie Palmieri
  • 4 months ago
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Bobby Sanabria Big Band at the Apollo Theater

For the audience who experienced the Bobby Sanabria Big Band on June 18 at the Apollo celebrating the musical wonders of Mario Bauzá, it was a magical evening of intense Latin rhythms, improvisational highs, poetry and profound musicianship.  Bobby Sanabria and his 19 piece big band, along with guests Felipe Luciano, David Amram, ‘La Bruja, Chareneé Wade, Jon Faddis, and the legendary (90 year old) Candido Camero had the Apollo audience dancing in their seats, singing, chanting and feeling the inner motion of the clavé beat.  Electric concerts such as this happen only once in a while and it was an honor to be there.  Felipe Luciano got the evening started with a spirited rap to pulsating percussion section with his piece ‘Rhythms’.  The players in this band all have individual and strong creative musical voices.  When playing together as the Bobby Sanabria Big Band, they soar. The next three pieces, ‘Mosscode’, Nuryorican Son, and Congo Mulence featured soloists from the band and the audience was there with every nuanced note. When Bobby Sanabria introduced Chareneé Wade to sing ‘Since I Fell For You’, she melted the audience and took them on a joyous vocal ride.  The 80 year old, musician extraordinaire, David Amram joined the band soloing on penny whistles taking the evening to another high point. Then, La Bruja, Candido and Jon Faddis entered to bring down the house with the performance of Manteca. Latin Jazz is strong and alive in the hands of the leader of the cause, Bobby Sanabria.  Be on the lookout for Bobby as he rises to greater recognition.  In other words…..check him out!!!!

Bobby Sanabria on Jazzheads.com

    • #bobby sanabria
    • #concert
    • #latin jazz
    • #percussion
    • #jazz
  • 11 months ago
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Review: O’s Place Jazz Magazine on ‘Tito Puente Masterworks Live!!!’ by Bobby Sanabria & The Manhattan School of Music Afro-Cuban Jazz Orchestra

The late composer and percussionist Tito Puente was one of the greatest contributors to Afro-Cuban Jazz. Manhattan School of Music’s Afro-Cuban Jazz Orchestra celebrates Tito’s work with this live performance. The conductor and musical director is Bobby Sanabria. The program is vibrant and electrifying as is most of Puente’s music. The solos are rich and plentiful with Paul Stodolka soaring on trumpet the opener “Elegua Changó”, Bobby on vibes and many more. This is an enjoyable set of mambo and cha-cha performed with engaging fire and spirit.

D. Oscar  Groomes - O’s Place Jazz Magazine

Manhattan School of Music on Jazzheads.com

Bobby Sanabria on Jazzheads.com

    • #bobby sanabria
    • #manhattan school of music
    • #Tito Puente Masterworks Live!!!
    • #review
    • #press
    • #latin jazz
    • #jazz
  • 11 months ago
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Congratulations to Bobby Sanabria for winning the Percussionist of the Year Award 2011 from the Jazz Journalists Association!

Bobby Sanabria on Jazzheads.com

    • #bobby sanabria
    • #jazz
    • #latin jazz
    • #percussion
    • #press
  • 11 months ago
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Review: The New York City Jazz Record on ‘Tito Puente Masterworks Live!!!’ by Bobby Sanabria & The Manhattan School of Music Afro-Cuban Jazz Orchestra

Manhattan School of Music on Jazzheads.com

Bobby Sanabria on Jazzheads.com

    • #bobby sanabria
    • #manhattan school of music
    • #Tito Puente Masterworks Live!!!
    • #review
    • #press
    • #latin jazz
  • 12 months ago
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Drumhead Magazine reviews Bobby Sanabria & The Manhattan School of Music Afro-Cuban Jazz Orchestra new CD ‘Tito Puente Masterworks Live!!!’

Manhattan School of Music on Jazzheads.com

Bobby Sanabria on Jazzheads.com

    • #review
    • #press
    • #Jazzheads
    • #latin jazz
    • #bobby sanabria
    • #manhattan school of music
    • #Tito Puente Masterworks Live!!!
  • 1 year ago
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Review: AllAboutJazz on CD ‘Tito Puente Masterworks Live!!!’

If the Latin Jazz community had its own Mount Rushmore, then Tito Puente’s face would be there, right beside the images of Machito and Mario Bauzá. All three men are viewed as patriarchs and/or key figures in the evolution of the Afro-Cuban musical movement and, despite Puente being the only non-Cuban on that list, Bauzá himself paid him the ultimate compliment when he said that “no one in the world has done more for Afro-Cuban music than Tito Puente.” While all three men have left this world, their music remains, and percussionist Bobby Sanabria—the ultimate advocate for Afro-Cuban music—is making sure that it makes its way to the masses.

Sanabria has become something of a Wynton Marsalis for the Latin jazz set, espousing the virtues and history of this music on PBS-aired documentaries, performing in a variety of high profile settings, and educating the next generation of musicians with his real-world experience and knowledge. When wearing his educator hat, Sanabria serves as the director of the Manhattan School of Music Afro-Cuban Jazz Orchestra, but this is no mere college band. That phrase carries an apologetic tone, and this band has nothing to apologize for. Sanabria first unleashed an earlier incarnation of this explosive ensemble on the public, when he saluted Machito and Bauzá with Kenya Revisited (Jazzheads, 2009), and turns his attention toward Puente’s oeuvre on this recording.

Power and passion play a big part in this music, and dance-worthy rhythms are always underneath it all. The horns can hit as hard as any section around, firing off volcanic chords that are capable of peeling paint off a wall, and this serves to demonstrate Sanabria’s enthusiasm for the subject at hand, clearly seeping into every member of the band. Solos are plentiful on many selections and, while the members of the band put their hearts and souls into this fiery fare, some stand out more than others. Norman Edwards proves to be a double threat, delivering tasteful vibraphone lines (“Autumn Leaves”) and dynamic drum work (“Mambo Beat”) with equal skill, and baritone saxophonist Michael Sherman blows the roof off whenever he steps forward (“Mambo Beat” and Cuban Nightmare”). Paul Stodolka and Anthony Stanco constantly play the bold and brawny trumpet role to perfection, while each member of the saxophone section is in peak form on “Cuban Nightmare.”

While Tito Puente Masterworks Live!!! is a fine tribute to the great Tito Puente, it goes beyond mere repertory rehash. Sanabria and his young stand mates have summoned the very spirit of Puente by putting a vibrant coat of paint on classic material from his catalog.

Dan Bilawsky - AllAboutJazz

Manhattan School of Music on Jazzheads.com

Bobby Sanabria on Jazzheads.com

    • #bobby sanabria
    • #manhattan school of music
    • #Tito Puente Masterworks Live!!!
    • #press
    • #review
    • #jazz
    • #latin jazz
  • 1 year ago
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Randy's Notes: NARAS Eliminates Latin Grammy Category

randyklein:

NARAS which is the governing organization for the Grammy’s has announced today that they have eliminated the Latin Jazz category. Over the years, I have had thoughts that NARAS wouldn’t recognize a musical note if it hit them in the face. I have, up until now, given NARAS the benefit of the doubt,…

Source: randyklein

    • #latin jazz
    • #Randy Klein
    • #jazz
  • 1 year ago > randyklein
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